Works

2024

All Your Breakers and Your Waves, for flute choir and fixed media (11’30”)

  • To be premiered by the Lawrence University Flute Ensemble; November 1, 2024; Lawrence University Conservatory of Music; Appleton, WI

  • Commissioned by the Lawrence University Flute Ensemble, directed by Erin Lesser, in collaboration with the Millennium Composers Initiative

That One’s My Favorite, for baritone, trumpet, trombone, bass clarinet, live electronics, and projection (6’)

  • Revised/expanded version to be premiered by loadbang (Tyler Bouque, baritone; Andy Kozar, trumpet; William Lang, trombone; Adrián Sandí, bass clarinet); loadbang Premieres Vol. 25; March 9, 2025; OPERA America; New York, NY

  • Premiered by loadbang (Tyler Bouque, baritone; Andy Kozar, trumpet; William Lang, trombone; Adrián Sandí, bass clarinet); June 28, 2024; Longy School of Music of Bard College; Cambridge, MA

  • Commissioned for Longy’s Divergent Studio (2024)

Bragdon Wood, for flute, viola, and prepared piano (2’)

  • Selected for the Suncoast Composer Fellowship Program (2024) — Recorded by Betsy Hudson Traba, flute; Holger Grohs, viola; and TianYi Li, prepared piano; October 7, 2024; Suncoast Composer Festival 2024; First Congregational United Church of Christ; Sarasota, FL

  • Premiered by Pavana Karanth, flute; Vincent Francis, viola; Yu Han Sun, prepared piano; July 4, 2024; Longy’s Divergent Studio; Longy School of Music of Bard College; Cambridge, MA

The Song on the Island near the End of the World, for string quartet and live electronics (25’30”) [AUDIO] [VIDEO]

  • Premiered by Daedalus Quartet (Min-Young Kim, electric violin; Matilda Kaul, violin; Jessica Thompson, viola; Thomas Kraines, violoncello); April 27, 2024; University of Pennsylvania; Philadelphia, PA

2023

Chroma, for viola, live electronics, and fixed media (13’)

  • To be performed by Lukas Shrout, viola; David Acevedo, live electronics; November 6, 2024; Staller Center for the Arts, Stony Brook University; Stony Brook, NY

  • Selected for the Eugene Difficult Music Ensemble New Music Festival 2024 Call for Scores (2024) — Performed by Rainer Griffin Collins, viola; October 5, 2024; Eugene Difficult Music Ensemble New Music Festival; ArtCity Studios; Eugene, OR

  • Selected for the Ohio University School of Music’s CLICK FEST 2024 Call for Scores (2024) — Performed by Lukas Shrout, viola; David Acevedo, live electronics; September 20, 2024; CLICK FEST; Ohio University School of Music; Athens, OH

  • Premiered by Lukas Shrout, viola; David Acevedo, live electronics; December 8, 2023; University of Pennsylvania; Philadelphia, PA

Isen, for percussion duo (8’30”)

  • Selected as a finalist for the CSU Sacramento School of Music’s 47th Annual Festival of New American Music Call for Scores (2024)

  • Premiered by Luke Helker and Tom Fabing; April 22, 2023; Spencer Museum of Art, University of Kansas; Lawrence, KS

  • Commissioned for Ears to the Earth 2023

2022

Already But Not Yet, for trumpet and live electronics (22’30”) [AUDIO]

  • Premiered by Daniel Jones; November 12, 2022; Staller Center for the Arts, Stony Brook University; Stony Brook, NY

  • Recorded by David Acevedo; August 2022

Plod, for orchestra (14’30”) [AUDIO]

  • Recorded by the Curtis Symphony Orchestra; February 23, 2024; Curtis Institute of Music; Philadelphia, PA

  • Recorded by the Stony Brook Symphony Orchestra; November 9, 2022; Staller Center for the Arts, Stony Brook University; Stony Brook, NY

A Wheel Within A Wheel, for electric guitar, vibraphone, and drum set (12’30”)

  • Premiered by Contraption (Maxime Esformes, electric guitar; Joe DeMarco, vibraphone; Peter White, drum set); October 25, 2022; Staller Center for the Arts, Stony Brook University; Stony Brook, NY

  • Commissioned by Contraption

Whatever has come to be has already been named, for piano, marimba, and drum set (7’)

  • Premiered by Jennifer Mong, piano; Sae Hashimoto, marimba; Michael Avanessian, drum set; June 23, 2022; DiMenna Center for Classical Music; New York, NY

  • Commissioned for the Yarn/Wire International Institute (2022)

2021

Room 101, for string quintet (15’) [AUDIO]

  • Premiered by Manaka Matsumoto, violin; Chieh-An Yu, violin; Lukas Shrout, viola; Jonathan Kim, violoncello; Elliot Shaull-Thompson double bass; November 23, 2021; Staller Center for the Arts, Stony Brook University; Stony Brook, NY

Hyper-Hocket, for trumpet quartet (11’) [AUDIO] [SCORE VIDEO]

  • Selected for Score Follower’s Fall 2021 Follow My Score Call for Works (2021)

  • Recorded by David Acevedo; July 2021; Long Island, NY

2020

Three and a Half Meditations, for marimba (7’30”) [AUDIO]

  • Selected for the Suncoast Composer Fellowship Program (2024) — Recorded by George Nickson; October 7, 2024; Suncoast Composer Festival; Sarasota, FL

  • Selected for the Escuta Aqui! New Music Festival Call for Scores (2024) — Premiered on September 27, 2024; Escuta Aqui! New Music Festival; Vitória, Brazil

  • Selected for the Boston New Music Initiative’s Writing for Marimba Workshop (2022)

  • Recorded by Ellery Trafford; September 24, 2020; DiMenna Center for Classical Music; New York, NY

2019

As a deer (Psalm 42), for soprano and double bass (9’30”)

  • Recorded by confluss (Amber Evans, soprano; Sam Zagnit, double bass); November 11, 2019; Scholes Street Studio; New York, NY

When five weeks become five months (A study in trembling), for flute, oboe, clarinet, trumpet (9’)

  • Recorded by Columbia New Music (Annie Nikunen, flute; Joseph Jordan, oboe; Nikki Pet, clarinet; David Acevedo, trumpet); September 29, 2019; The Juilliard School; New York, NY

2018

His tree has many branches., for clarinet, bassoon, trumpet, and double bass (6’)

  • Premiered by the International Contemporary Ensemble (Joshua Rubin, clarinet; Nanci Belmont, bassoon; Gareth Flowers, trumpet; Lizzie Burns, double bass); December 9, 2018; The Italian Academy, Columbia University; New York, NY

Conic [expand/contract], for clarinet, trumpet, electric guitar, and electric bass (7’)

  • Recorded by Columbia New Music (Erik Helstrom, clarinet; David Acevedo, trumpet; Dylan DelGiudice, Guitar; Conner Duke, electric bass); May 4, 2018; Columbia University; New York, NY

Artificial Integrity, for clarinet, violin, viola, cello, and piano (16’30”)

  • Premiered by counter)induction (Benjamin Fingland, clarinet; Esther Noh, violin; Adda Kridler, viola; Robert Burkhart, cello; Adam Marks, piano); April 26, 2018; Symphony Space; New York, NY

2017

In the moments prior, for baritone, trumpet, trombone, and bass clarinet (6’30”)

  • Premiered by loadbang (Jeffrey Gavett, baritone; Andy Kozar, trumpet; William Lang, trombone; Carlos Cordeiro, bass clarinet); December 10, 2017; OPERA America; New York, NY